Piranha 3-D (2010)

A$H · Post by **A$H** » 01 Jun 2009, 12:44

Slike sa seta..

A$H · Post by **A$H** » 02 Jun 2009, 07:12

Official Plot Synopsis

Dimension Films has sent the official plot crunch for Alexandre Aja's Piranha 3D, 2010's first big 3-D horror film.

Jaws...lots and lots of jaws. From acclaimed director Alexandre Aja (The Hills Have Eyes) comes the new action thriller PIRANHA 3D, in the latest eye-popping 3D technology. A new type of terror is about to be cut loose on beautiful Lake Victoria. After a sudden underwater tremor sets free scores of the prehistoric man-eating fish, an unlikely group of strangers must band together to stop themselves from becoming fish food for the area’s new razor-toothed residents. But our heroine (Elisabeth Shue) is seriously outnumbered, and with only one chance to save the lake and her family from totally being devoured, she must risk everything to destroy the aquatic carnivores herself.

DEXTER · Post by **DEXTER** » 08 Jun 2009, 22:49

http://www.bloody-disgusting.com/news/16419

Get ready for a really hot look at Riley Steele and Kelly Brooke on the set of Piranha 3D. The duo are having a little fun in their skimpy bikinis, almost too much fun (is there such a thing?). Now this is a party I can get behind - especially in 3-D! You can check out the pics below from Alex Aja's remake aiming for a release on March 19, 2010 from Dimension Films. After a sudden underwater tremor sets free scores of the prehistoric man-eating fish, an unlikely group of strangers must band together to stop themselves from becoming fish food for the area’s new razor-toothed residents.

john_constantine · Post by **john_constantine** » 08 Jun 2009, 22:53

hm, i što s time?

DEXTER · Post by **DEXTER** » 10 Jun 2009, 22:28

http://dnevnik.hr/showbizz/paparazzi/fo ... umice.html

boyko · Post by **boyko** » 10 Jun 2009, 23:26

DEXTER wrote:http://dnevnik.hr/showbizz/paparazzi/fo ... umice.html

e da mi je biti između njih dvije....

Ikstomi · Post by **Ikstomi** » 11 Jun 2009, 12:26

Hoho, ovo bi moglo bit zanimljivo jos kad sam vidio ove slike sa seta.
Jel snimaju pornic ili horror film??

A$H · Post by **A$H** » 13 Jun 2009, 16:42

DEXTER · Post by **DEXTER** » 13 Jun 2009, 16:45

najs najs..bit ce gorea

Scarface · Post by **Scarface** » 13 Jun 2009, 16:45

DEXTER wrote:http://dnevnik.hr/showbizz/paparazzi/fo ... umice.html

Opa, Kelly Brook mi je daleko najzgodnija ženska ikad.

Wendigo · Post by **Wendigo** » 13 Jun 2009, 16:53

lijepe krvožedne ribice...

jedva čekam.

Post by **HorrorHR** » 13 Jun 2009, 22:00

po ovome što se čita u časopisima i na sajtovima Piranha 3d=Kelly Brook, dobra stvar je ona za reklamu djelca, ali niš se ne priča pametnoga o filmu. Napokon su izašli ovi bolji screenshoti koji pokazuju nekakav mayhem, sve mi smrdi nekako (pozitivno) na onu makljaću u Humanoids from the Deep

Studeni · Post by **Studeni** » 14 Jun 2009, 13:40

ja i dalje vjerujem u Ajino "iživljavanje"...

A$H · Post by **A$H** » 01 Jul 2009, 11:11

Alex Aja Interview

ShockTilYouDrop: Is this your biggest picture yet?

Alexandre Aja: It's huge, it's nothing compared to Mirrors. It's completely a different movie, but it's also a different scale. Piranha is a big disaster movie and we have so many characters, so many actors, so many extras. Everything is taking place during the most crazy, insane spring break you can imagine.

Shock: How are you handling it stress-wise?

Aja:I was very stressed before because it was the most challenging hostile element that you can imagine, from shooting above the water, special effects, visual effects, special effects makeup, the heat - 120 - kids, animals, CG fish, everything. You name it, we have it. Finally, on set, I realized that making a movie on the water is one of the greatest things ever because you're in open space all the time. You can swim during the day, so when it's very hot, it's very great. [But] it's pretty intense. Yesterday was our last day really on the lake, it was very kind of moving. It was really hard, but we managed to get so much great stuff out of it.

Shock: How did you convince the powers that be, to do a sequence like we've been hearing about with 500 extras, a full-on massacre?

Aja: During the whole process the idea was to do a movie like "spring break under attack," so it was the whole idea. Of course any studio would have tried to "Less is more. We care about the characters, we don't care about spring break," because it was a huge scene, nine days of shooting. It was really big. I don't know how many hours, but I would guess around 25 or 30 hours of dailies, five cameras. It was, in every scale, really huge. The special effects guy told me [around] 5,000 gallons of blood. I think it's a little bit over because it's cutting the blood with the water, but it's pretty sick. Lake Havasu was completely red for a few days after. All of that together, it was the only reason why I wanted to make this movie. I wanted to have that huge scene. a movie that starts like a spring break where you can have some fantasy on it and then turns into a big nightmare.

Shock: The original Piranha had humor in it. Is this the first Aja film we're going to see with a funny bone?

Aja: It's completely different from anything else that I've ever done before and it's very, very dark funny. It's scary as well. We are much more on the The Frighteners, Braindead, Gremlins side than like the other movies before. We are completely throwing popcorn. We are going for the rollercoaster ride. We are here to spend an hour and half in the most insane world that we can imagine. The movie was funny even while writing. The first script I read five years ago was already that idea of "spring break under attack" and it was already something very iconoclastic with a kind of subtext about American culture. Like spring break being the incarnation of the American way of living in excess and the piranha being the unexpected dilemma, the uninvited guest that's going to just crash the party. It's so in the vain of all those guilty pleasure movies that we had in the '80s. Just the rewriting of the script was following in that direction. I think even directing the movie and shooting everyday those scenes together is exactly what we achieve. We achieve to create that kind of movie that you would have died to have seen when you were 12, 13, 14, 15, 16... monotonous

Shock: How much screen time is Richard Dreyfuss going to have in this?

Aja: You'll see. It's very funny because it's an unofficial, indirect sequel or spin-off [of his Jaws character]. So, it's funny.

Shock: Did it take much convincing to get him on board?

Aja: When you write a character and you think about an idea... When the idea for Richard Dreyfuss to play this part came to us, we couldn't imagine anyone else. The studio really supported us in that decision to get him. From the glasses, to the outfit, to everything you'll see.

Shock: That's awesome. You've also got Christopher Lloyd!

Aja:For our generation Christopher Lloyd is that kind of...I couldn't imagine anyone better than him to play that old adventurer that came back to Lake Victoria to open a pet store, but still passionate about preserving the species and stuff. We were shooting that scene last week and the way he lights up when he starts to be passionate about something, it's dark, there is no question. It just belongs to that kind of pop culture mix that we are trying to create here.

Shock: Did you reach out to Joe Dante at all?

Aja:Yeah.

Shock: Yeah, what did he have to say?

Aja:His only advice was, "Even if you go with CG fish get some puppets."

Shock: And did you take that advice?

Aja: We have some puppets in the truck.

Shock: Can you talk about the design of the piranha as well as what they're capable of in the movie?

Aja: For a few months we didn't have time because we pushed the shooting back with Neville Page, the designer of the fish. We went through all the deep sea and prehistoric species still alive, and all the different documents we could find about it. Then, we tried to think about the way they were two million years ago and how they were able to survive. The design that we were able to create is a good mix between all the old species without losing what makes it a piranha - the size, not too big, the tooth shape, and many other features. Then we were following some very logical elements like, they were [in this cave] for like a million years feeding on other species and killing each other. They would lose some senses like vision and give up some other ones. That's a little bit of direction. And then, when you study the piranha you have a piranha that can jump a meter out of the water, three feet out of the water. We used all the kind of different skills you can find in nature.

Shock: So no POV shots from the piranha ala Jaws?

Aja: They're mostly blind, but we'll follow them. We'll be in the middle of the school. We're working with amazing people. The guy who's doing our visual effects...I'm very confident about CG and what we're going to achieve with it.

Shock: Do you see this as having the potential for a series?

Aja: There are many stories and the movie ends in such a way that there are a few sequels possible. We'll see.

Shock: In some early photos of Elisabeth, she looked as if she had been doing a bit of training...

Aja: I wanted like a very tough sheriff for this town, someone believable and someone sexy at the same time. She had, at first, a very great physical condition. She's a big tennis player, but she really trained to be that new Linda Hamilton. She's impressed me in the situation and everything. [Steven McQueen] is the real leader of the movie because the whole story is about that guy Jake who is the older son of Elisabeth Shue. This guy, year after year is forced to do some babysitting over spring break, so he's missing all the fun every year and this year he just wants to have fun. That's the whole beginning. And he's really the guy who's carrying out through that fantasy of spring break that's going to turn into the blood bath.

Shock: What 3-D process are you using for this film?

Aja: It's very bizarre because we started the process by talking about using the new system that James Cameron used [for Avatar]. I realized along the way that those cameras were forcing me, first, to shoot in HD and then there were too many technical parameters that were not good. So, we heard about a new technique they were developing that nobody really used before which is the conversion. The conversion is more expensive, much more work in post-production. You're basically shooting the movie in the traditional way thinking 3-D and then the whole movie would be converted by computer. The camera in 35mm is shooting all of us here and then the computer is going to modelize each of us in 3-D and inside the computer you're going to screen, you're going to project the image on the 3-D model and you create that space and that whole style. It's very complicated. I was kind of like, "Oh, it's impossible it's not going to feel natural," and I saw 20 minutes of King Kong being converted and it's the best thing I've ever seen. When I see 20 minutes of that, I mean, I don't understand why the studio is not finishing the movie and releasing the movie again in 3-D. It's the best, best, best, best. I've also seen stuff from The Matrix and from Star Wars, the original.

Shock: Whoa. They're just converting it for 3-D?

Aja: Yeah, it's unbelievable. It's not like black and white convert in color where you see that it's stained and it's not natural. It's amazing, there is no word. It was great for us because we are shooting for real on cinemascope anamorphic on film, shooting it as a normal movie. So, it's much faster and we have a full control on the 3-D. Without being presumptuous, I think the 3-D experience on Piranha is going to be the best one that's ever made.

Wendigo · Post by **Wendigo** » 01 Jul 2009, 11:53

Studeni wrote:ja i dalje vjerujem u Ajino "iživljavanje"...

potpis. taj čovjek jednostavno zna napraviti dobar horror i ima "touch" za gore i krf..